Gillmor Gang: Table Stakes



I quite like the iPad Pro 11 inch with the Magic Keyboard. In the Land of Pandemic, where every day is Saturday, the tablet is king. With no real purchase on the chaotic flow of life, the rules — any rules — of the road are very dear to me. Structure is arbitrary but mandatory. Strategy is Niagara Falls: slowly I turned, step by step, inch by inch. What exactly do I mean?

First, the tablet is a strange beast. Caught between the laptop and the phone, you’d think it would be a constant compromise. It’s not. Each time I add a step to the workflow, it re-cements itself as a coherent whole. In a world ruled by the next notification, context switches are disruptive; hand-offs are not. One minute the iPad is a media grazer. The phone rings. Answering it on the Watch frees me from the tether, answering on the iPad offers a click of the phone icon in the upper left to move to the phone.

I know it sounds a bit nuts to explain or even discuss, but add up the iterative improvements of this platform and you achieve some real productivity. Not the enterprise kind, nor the media hacker kind, but the palpable sense of progress in fashioning a place in this new digital world. Slowly but surely I’ve moved process after process to the iPad Pro. Gillmor Gang production, or more precisely editing, mixing, rendering, posting, annotating, testing, now all on the single device.

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